THE USER INTERFACES ON MUSICAL RECORDING EQUIPMENT ARE MANY LIGHT YEARS BEHIND THOSE ON GENERAL-PURPOSE COMPUTER EQUIPMENT OR EVEN BLENDERS. Thank you for listening while I got that off my chest. It's just that all this high-end gear I borrowed from Ray is virtually inscrutable. I go to establish the settings on one input track out of 64, and I'm faced with twelve knobs, two sliders, five three-position buttons, and so many LEDs that I might as well be shining a flashlight into a cave full of bats. I JUST WANT TO MIC MY ACOUSTIC GUITAR WHILE I PLUCK AWAY AT "APRIL COME SHE WILL." SORRY I'M NOT THE LONDON PHILHARMONIC. I'M LIKE A FAMOUS CHEF WHO BOOKED HELL BUT ONLY NEEDED TO COOK A SINGLE HOT DOG. Oh look, I'm yelling again. Maybe it's because I hate everything in my room, including the large stupid machines and the little idiotic man who is sitting on the floor in front of them.
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